Takashi Makino

1/1

Installation view, *Cinéma Concret*, 2016

Image courtesy of the artist and Empty Gallery

Installation view, Documenta 14, 2017

Image courtesy of the artist and Greek Film Archive

“cosmos”, 2016

Image courtesy of the artist and London Gallery West

Performance, Cēsis Art Festival, 2018

Image courtesy of the artist

Performance, URANO, 2018

Image courtesy of the artist and URANO

日本實驗電影人牧野貴，1978年出生，公認為當代最具影響力的日本流動影像藝術家之一。他在Cinema Department of Nihon University College of Art 畢業後沒有立刻回到日本，在倫敦留了一段時間跟隨Quay Brothers學習及琢磨技巧。他獨特的創作過程，是以不同格式拍攝人類，自然，城市生活的影片，然後在剪接時進行大幅度的處理以將這些片段轉化。具體的影像片段經過分層、疊加及其他方式的後期處理，在完成的作品中，已融匯為閃爍不停的有機抽像視覺場。牧野貴因著其作品定期在世界各地舉行裝置展，放映會及聲音－視覺表演，至今足跡已踏遍超過120個城市。近期的包括： documenta 14 雅典部分 (2017)；維也納的奧地利電影博物館 (2017)；紐約電影節(2014, 2017)；倫敦的白教堂美術館 (2016)；首爾的韓國影像資料院 (2016)；倫敦的 BFI IMAX Theatre (2016)；紐約的MoMAPS1 (2013)；三藩市現代藝術博物館 (2009)；紐約的新當代藝術博物館 (2008)。曾獲2012年鹿特丹國際電影節的老虎獎。

Selected Solo Exhibitions

2018

'Memento Stella", URANO, Tokyo

2017

“cinéma concret” ITO Project Room, Stuttgart, Germany

“5th MAKINO TAKASHI SCREENING TOUR EXP 2017” Cine Nouveau, Osaka / Clover Hall, Kanbaikan at Doshisha University, Kyoto, Japan

“Recombinant Festival” Grand Theater, San Francisco, USA

“Expanded Abstraction” Hollywood Theater, Portland, USA

“Spot Light Makino Takashi” Austrian Film Museum, Vienna, Austria

“Endless Cinema” Performance & Screening, Tokyo Metropolitan Teien Art Museum, Tokyo, Japan

“Endless Cinema” World Premiere, Empty Gallery, Hong Kong

2016

“cinéma concret” Empty Gallery, Hong Kong

“collages” Art Center Ongoing, Tokyo, Japan

“cosmos” London Gallery West, London, UK

2015

LA Film Forum “Enter the Noisy Cosmos” Egyptian Theater, Hollywood, USA

Performance and retrospective at Issue Project Room, New York, USA

“collages” Art Center Ongoing, Tokyo, Japan

2013

3D Installation “Space Noise” Capsule, Tokyo, Japan

2010

“Aichi Triennale” Aichi Arts Center, Aichi, Japan

2008

“Retrospective Makino Takashi - International Film Festival Rotterdam” Rotterdam, Netherlands

2007

“Elements of Nothing” PRINZ, Kyoto, Japan

2006

5 month Solo Screening/Performance, Uplink, Tokyo, Japan

2005

Film Collage Exhibition “The Intimate Stars” Art Space mirage, Tokyo, Japan

2004

“Makino Takashi Film Collage Exhibition The Intimate Stars” Plan B, Tokyo, Japan

Selected Group Exhibitions

2017

“Takashi Makino & Rei Hayama” Kunst Museum, Stuttgart, Germany

2013

“Takashi Makino & Ryota Aoyagi - Article Left by the Departed” Capsule, Tokyo, Japan

“UNATTAINED LANDSCAPE” Fondazione Bevilacqua La Masa Palazzetto Tito, Venice, Italy

“Media/Art Kitchen – Reality Distortion Field” Bangkok Art & Cultural Centre, Bangkok, Thailand

2011

“Emaki/Lght - Takashi Makino + Takashi Ishida” Galleria Finarte, Aichi, Japan

2009

“While we are here-with Ryota Aoyagi” Ayumi Gallery, Tokyo, Japan

2008

“Japanimation, The Abstract” ASPEX Gallery café, Portsmouth, UK

“New Silence Series” RHIZOME New Museum, New York, USA

“Imagination” Tokyo Metropolitan Museum of Photography, Tokyo, Japan

2018

"New Japan", Solyanka State Gallery, Moscow


2024-04-27	Doris Guo at Artists Space, New York
	Opening May 23 through August 10: Artists Space is pleased to present an exhibition of new and recent work by Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, and Ruben Ulises Rodriguez Montoya. 更多…
2024-04-06	Jes Fan in Weight of Mind, Hessel Museum of Art
	Artists: Kaari Upson, Jes Fan, and Lucas Blalock Dates: April 6 – May 26, 2024 Weight of Mind at Hessel Museum of Art, Bard College questions how memory is embodied and given new form in the works of three artists: Kaari Upson, Jes Fan, and Lucas Blalock. In divergent ways, their works—across sculpture and photography—examine how past experiences are transformed through different methods of translation, from molding and casting to pigmentation to digital manipulation. By thickening fragmented memories or past sensations, the artists invite the audience to examine moments of change that otherwise would be fleeting. The exhibition is curated by Thalia Stefaniuk. 更多…
2024-03-24	Jacqueline Kiyomi Gork interviewed for BOMB
	Sound art as performance, choreography, and object. Jacqueline Kiyomi Gork by Byron Westbrook in BOMB: “Jacqueline Kiyomi Gork’s work occupies a singular space at a nexus of visual arts and sound composition. With a multifaceted sphere of influences that includes textiles, club music, archaeoacoustics, and choreography, she has one of the most rigorous and unique practices in what is often termed sound art. Her work manifests as a generous space for audience exploration, where sculpture, sound, and interactive installation environments live and breathe in a symbiotic collaboration with viewer and architecture. Kiyomi Gork’s first East Coast institutional solo exhibition, Poems of Electronic Air, at Harvard University’s Carpenter Center presents an expansive survey of her ideas and work. In the conversation below, I speak with her about concepts explored in the show, including participation, feedback systems, surveillance, choreography, and sonic forms as expressive metaphor.” —Byron Westbrook 更多…
2024-03-22	Jes Fan in 2024 Greater Toronto Art
	New works by Jes Fan are now on view at Greater Toronto Art, the triennial at MOCA Toronto, from March 22, 2024— July 28, 2024. The curatorial team includes MOCA Curator Kate Wong and two invited guest curators, Ebony L. Haynes and Toleen Touq. Greater Toronto Art 2024 (GTA24) is the second edition of MOCA Toronto’s recurring triennial exhibition, which was conceived in 2021 to look more closely and consistently at artistic practices with a connection to the Greater Toronto Area (GTA). Featuring a constellation of twenty-five intergenerational artists, duos, and collectives, GTA24 looks back as much as it looks forward. The exhibition presents work made between the 1960s and the present, allowing the comingling of art created in different decades to provide new ways of understanding the current moment and imagining the future. 更多…
2024-03-18	Jes Fan in 2024 Whitney Biennial
	Empty Gallery congratulates Jes Fan on his participation in the 2024 Whitney Biennial, Even Better Than The Real Thing. The Seventy-one visionary artists and collectives in the latest chapter of the exhibition—Whitney Biennial 2024: Even Better Than the Real Thing—will follow in the footsteps of hundreds of Biennial artists before them to interpret our current landscape and tell stories, spark discussion, and comment on issues across a variety of media and disciplines. The curators of the 2024 Whitney Biennial are Chrissie Iles and Meg Onli, with Min Sun Jeon and Beatriz Cifuentes. Even Better Than The Real Thing will be on public view starting 20 March 2024, with previews from 12 through 17 March 2024. In The New York Times, read Siddhartha Mitter’s coverage: Whitney Biennial Picks a ‘Dissonant Chorus’ of Artists to Probe Turbulent Times. 更多…
2024-03-15	Vunkwan Tam and Xper.Xr in Yokohama Triennale
	Now on view at Yokohama Museum of Art, Former Daiichi Bank Yokohama Branch, from March 15 – June 9, 2024: 8th Yokohama Triennale “ Wild Grass : Our Lives”. The Artistic Directors: Liu Ding and Carol Yinghua Lu Vunkwan Tam and Xper. Xr are two of the ninety-four participating artists in the exhibition. The Artistic Directors, Liu Ding and Carol Yinghua Lu, started conceptualizing the theme with the Chinese writer Lu Xun’s anthology Wild Grass, penned from 1924 to 1926, during a turbulent period in Chinese history. In 20th-century China, Lu Xun was a singularly solitary individual who constantly rebelled against existing situations and simultaneously a thinker who stayed attentive to the movements of the world, contemplating the fate of individuals and humanity within them. In Wild Grass, Lu Xun affirmed his conviction to confront desperation and to find a way out of complete darkness. The exhibition theme Wild Grass: Our Lives aspires to Lu Xun’s philosophy of the universe. It signifies a way of life that elevates the unquenchable force of individuals to a respectable existence that transcends all systems, rules, regulations, and forms of control and power. It is a model for flexible expression of individual subjectivity. 更多…
2024-03-09	Raha Raissnia at H Queen's
	Drawing inspiration from the legendary Zaha Hadid, the architectural brilliance behind The Henderson, the exhibition showcases a collective of eight multidisciplinary women artists from diverse cultures, each forging visionary paths in their use of light as an artistic medium. Date: 9 March – 6 April 2024 Address: G/F, H Queen’s, 80 Queen’s Road Central Opening hours: 11am – 8pm Participating artists: Chila Kumari Singh Burman, Carla Chan, Jacqueline Hen, Sarah Lai, Betty Ng / COLLECTIVE, So Wing Po, Raha Raissnia and Liz West. Raha Raissnia’s Nour will be on view.
2024-03-05	Jacqueline Kiyomi Gork in Frieze
	Cassie Packard profiles Jacqueline Kiyomi Gork in Frieze: ‘This city has a hum – a Manhattan-specific drone music – that I love,’ Jacqueline Kiyomi Gork tells me when we meet in New York, after installing her first institutional solo show on the East Coast – ‘Poems of Electronic Air’– at Harvard University’s Carpenter Center for the Visual Arts. ‘Different parts of the city are characterized by markedly different sounds, down to patches where you can hear whooshes from the subway below.’ Sound – as material, process, system and event – is a phenomenon to which the Los Angeles-based artist is emphatically attuned. Born in Long Beach, California, Kiyomi Gork was ‘one of those kids who was always making art’ to make sense of the world, she says. She cut her teeth in a San Francisco noise band, playing homemade instruments like plastic inflatables rigged with contact microphones. After studying sound art at the now-defunct San Francisco Art Institute, she entered the MFA program at Stanford University, where she researched military sound technologies, and also became involved with the university’s Center for Computer Research in Music and Acoustics, which was working to reconstruct original experiences of sound at archaeological sites. 更多…
2024-03-04	Tishan Hsu at MAMCO Genève
	Opening March 5th in collaboration with the Secession in Viennia, MAMCO Geneva is proud to present a solo exhibition of Tishan Hsu. The exhibition will be on view until June 9th, 2024. “For more than four decades, Tishan Hsu (b. 1951 in Boston, lives and works in New York) has used art to explore the relationship between technology and the human body. His sculptures, wall pieces, silkscreen prints and, more recently, videos examine the cognitive, physical and social implications of everyday encounters between people and machines. The spring 2024 exhibition at MAMCO will bring together pieces from various stages of Hsu’s career – from his earliest works in the 1980s to the present day. Developed with extensive input from the artist himself, the show is also a collaborative effort with the Secession in Vienna, which will host an exhibition of Hsu’s newer productions in late 2023. Some of these recent pieces are also on display at MAMCO.” 更多…
2024-02-22	Cici Wu in u – New Project Spaces at Kunsthalle Zürich
	Eyrie Alzate, Jason de Haan, Nancy Lupo, Na Mira, Malcolm Mooney, Yuki Okumura, Hikari Ono, Francesca Percival, Bea Schlingelhoff, Jo-ey Tang, Cici Wu, Bruno Zhu and u Opening: February 23, 7 pm u is part artist, part vessel—a transferable personal alias, and a social interaction. u’s project spaces (2018–ongoing) are small boxes made of clear packing tape that act as a medium for collaborations with other artists and curators. u initiates the process by sending an empty project space to selected practitioners as an invitation to join an artistic dialogue, a new relationship and often a finished artwork. Thus u also performs the role of a curator by providing each participant carte blanche within an exhibition space that is small, but very flexible. As a result, the individual collaborators are foregrounded, while the initiator takes a backseat behind the easily overlooked lowercase letter ‘u’ (shorthand for the English word ‘you’). This collaborative way of thinking and working deliberately resists elaborate, commercial production mechanisms and allows for collaborations far beyond national borders. The heart of the project is to expand the concept of curating to include the interests of artists and to promote artistic exchange. 更多…

Sound art as performance, choreography, and object. Jacqueline Kiyomi Gork by Byron Westbrook in BOMB:

Selected Solo Exhibitions

Selected Group Exhibitions