“The Pollock-Krasner Foundation revealed that it would award grants totaling nearly $2.7 million to 106 artists and nonprofit organizations across the globe. The recipients represent sixteen countries and sixteen states.” Jes Fan has been awarded a Pollock-Krasner Foundation 2021–22 Artist Grant.
The full list of grantees and Lee Krasner Award Recipients can be viewed at the link below.
Jes Fan was profiled by Drew Zeiba for the August 2022 issue of Wallpaper* magazine. “Can art and biology come together to break down social constructs?
Multidisciplinary artist Jes Fan uses fungi, bacteria and hormones to produce unique pieces exploring the intersections of biology, identity and creativity.”
Transactions with Eternity opens on July 8, 2022 at Kraupa-Tuskany Zeidler. The group exhibition includes the artists manuel arturo abreu, Danielle Brathwaite-Shirley, Jes Fan, Yongxiang Li, Diane Severin Nguyen, Xiyadie.
“The odds are good, the goods are odd is a group exhibition that highlights a new generation of New York-based sculptors. Bringing together artworks across a range of mediums, the presentation showcases the divergent ethoses behind sculpture-making today. The featured artists favor the handmade, creating a spectrum of artworks that range from the polished and conceptual, to the raw and visceral.”
The exhibition is on view from 29 June through 5 August, 2022. Participating artists include Leilah Babirye, Kristi Cavataro, Jes Fan, Doreen Lynette Garner, Hugh Hayden, Elizabeth Jaeger, Hannah Levy, Eli Ping, Jessi Reaves, Devon Turnbull (OJAS), Kristin Walsh.
An online component of the exhibition can be viewed at the link below.
The artist list for the 58th Carnegie International has been announced, including Tishan Hsu. “Established in 1896, the Carnegie International is the longest-running North American exhibition of international art. Organized every three to four years by Carnegie Museum of Art, the International presents an overview of how art and artists respond to the critical questions of our time. The 58th Carnegie International, which is titled Is it morning for you yet?, runs from September 24, 2022 to April 2, 2023, and unfolds along two conceptual overlapping currents: historical works from the collections of international institutions, estates, and artists, alongside new commissions and recent works by contemporary artists.
Organized by Sohrab Mohebbi, the Kathe and Jim Patrinos Curator of the 58th Carnegie International and associate curator Ryan Inouye with curatorial assistant Talia Heiman, the exhibition traces the geopolitical imprint of the United States since 1945 to situate the “international” within a local context. The exhibition borrows its title from a Mayan Kaqchikel expression, where instead of saying “Good morning” it is customary to ask, “Is it morning for you yet?” Inspired by a conversation with artist Édgar Calel, who will present a new commission for the show, Is it morning for you yet? acknowledges that human beings’ internal clocks and experiences are different: when it’s morning for some, it might still be night for others.”
Opening Wednesday, June 22, 2022: “Nahmad Contemporary is pleased to present The Painter’s New Tools, an exhibition organized by Eleanor Cayre and Dean Kissick.
If you woke up today after twenty years asleep, you’d find the physical world hasn’t changed a great deal. You’d probably notice how everyone’s looking at their phones all the time, and how images are everywhere. How everyone’s making and remaking and communicating through images; and have, in a sense, turned into images on screens themselves. This is a moment of great transition. Your experience of the world is mediated by images, and increasingly takes place within the pictorial space of those images. It’s disorientating.
This has changed the way to think about painting: How can you make a distinct image in the face of this glut of images, this constant distraction, and is that even important? What are the painter’s new tools, and what can be done with them?”
Artists: Ei Arakawa, Darren Bader, Kerstin Brätsch, Alex Carver, Kate Cooper, Aria Dean, Harm van den Dorpel, Urs Fischer, Wade Guyton, Kate Mosher Hall, Rachel Harrison, Camille Henrot, Tishan Hsu, Jibade-Khalil Huffman, Jacqueline Humphries, Alex Israel, Jesse Kanda, Scott Lyall, Helen Marten, Ezra Miller, Julien Nguyen, Albert Oehlen, Laura Owens, Seth Price, Richard Prince, Rachel Rose, Sarah Sze, Tojiba CPU Corp, Jessica Wilson, Jordan Wolfson, and Anicka Yi.
Jes Fan’s Mother is a Woman (Cream) (2019) will be on view at Retrograde, a group exhibition opening at Galerie Du Monde tonight (16 June 2022, Thursday, 5-8pm) , curated by Cusson Cheng. The exhibition period is 16 June – 13 August 2022.
“Galerie du Monde is delighted to present the group exhibition Retrograde curated by Cusson Cheng. Different from other LGBTQ-themed exhibitions that emphasize the pride and visibility of sexual minorities, Retrograde raises questions on the costs of the contemporary move to the mainstream in lesbian and gay culture. The exhibition contests the dominant heteronormative logic of desire, the homogeneous models of gay modern identities, and proposes alternative ways of thinking that allow one to radically reimagine queer histories, subjectivities, and futures.”
Participating Artists: Ivana Bašić, Jes Fan, Dew Kim, Green Mok, Naraphat Sakarthornsap, Tseng Chien-Ying, Floryan Varennes, Luis Xertu, Xu Guanyu, Rachel Youn, Stella Zhang
Opening June 2 2022 through 15 January 2023: “The exhibition Future Bodies from a Recent Past—Sculpture, Technology, and the Body since the 1950s at Museum Brandhorst brings to life a hitherto little-noticed phenomenon in art, and more particularly in sculpture: the reciprocal interpenetration of body and technology. With more than 100 works and several large-scale installations by around 60 artists—primarily from Europe, the United States, and Japan—the exhibition focuses on the major technological changes since World War II and their influence on our ideas of the body.”
“When asked about her birth, Carrington once said she was the product of her mother’s encounter with a machine, in the same bizarre union of human, animal, and the mechanical that marks much of her painting and writing. This event will discuss the convergences between individuals and technologies, asking what’s at stake in today’s theories of transhumanism and technological optimism that oppose the dread of a complete takeover by machines via automaton and artificial intelligence.
Keynote by Yuk Hui, philosopher and author, Associate Professor, Philosophy of Technology and Media, SCM, City University of Hong Kong.
Conversation between Yuk Hui; Tishan Hsu, and Jacqueline Humphries, participating artists at the 59th International Art Exhibition; moderated by Matthew Biro, Professor of Modern and Contemporary Art at the University of Michigan.”
May 6 – August 14, 2022: “Breaking Water is a group exhibition bringing together works in installation, video, photography, painting, sculpture, and performance that offer a range of approaches to the subject of water, liquidity, and feminism at the Contemporary Arts Center of Cincinnati, Ohio. The exhibition will debut four new commissions by Paul Maheke, Josèfa Ntjam, Claudia Peña Salinas, and a collaborative work by Calista Lyon and Carmen Winant, after which the exhibition is titled, alongside new and existing work by an international group of artists whose work explores themes of fluidity, connectivity, and resistance, and addresses timely concerns including water rights, climate change, and the effects of natural disasters. The exhibition will be accompanied by a parallel film screening program and catalogue that extend the exhibition’s central themes.”
James T. Hong, Three Arguments about the Opium War (2015), selected stills.
Installation view of Three Arguments about the Opium War, 2015, Empty Gallery at Art Basel Hong Kong, 2022
哲人電影工作者洪子健的作品「關於鴉片戰爭的三種論據」（2015）透過景觀電影的形式展現出對構成近期東亞歷史的矛盾邏輯和相互競爭論述（以及此等論述形構持續決定當下政治進程之方式 ) 的一場尖銳詰問。