洪子健
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Installation view, Apologies (2012 – ongoing), Apologies and Other Regrets, Empty Gallery, June 8 – August 17, 2024.
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Installation view, Apologies (2012 – ongoing), Apologies and Other Regrets, Empty Gallery, June 8 – August 17, 2024.
![](https://emptygallery.com/wp-content/uploads/2019/11/EG31-JTH-007-1280x853.jpg)
Installation view, Stabbed in the Back (2023 – ongoing), Apologies and Other Regrets, Empty Gallery, June 8 – August 17, 2024.
![](https://emptygallery.com/wp-content/uploads/2019/11/EG31-JTH-008-1280x853.jpg)
Installation view, Stabbed in the Back (2023 – ongoing), Apologies and Other Regrets, Empty Gallery, June 8 – August 17, 2024.
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Installation view of De Anima in the 14th Gwangju Biennale, April 7 – July 9, 2023.
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Animal, Ikon Gallery, 2021
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James T. Hong, Apologies v.2016.2 at Jewish Museum of Vienna, 2022
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The Thing, Empty Gallery, 2019
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Three Arguments About the Opium War (2015), Art Basel Hong Kong, 2022
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De Anima, 2021, two-channel video installation
Image courtesy of the artist.
![](https://emptygallery.com/wp-content/uploads/2019/11/EMP-1280x887.jpg)
EMP, 2020, watercolor on paper
Image courtesy of the artist.
![](https://emptygallery.com/wp-content/uploads/2019/11/opening_2_2018-1280x685.jpg)
Opening Closing Forgetting (still), 2018
Image courtesy of the artist.
![](https://emptygallery.com/wp-content/uploads/2019/11/terra_1_2015-1280x848.jpg)
Terra Nullius or: How to be a Nationalist (still), 2015
Image courtesy of the artist.
洪子健是一位台灣裔美國藝術家和製作人,以其具有哲學性的研究型藝術實踐著稱。二十年來,他的作品探索著真理的奧秘,並著眼於認知論、倫理及社會政治問題的交匯點上展開深入研究。洪子健的創作實踐領域涵蓋實驗性和散文性影像,近年來也拓展至雕塑領域。他批判性地追溯知識生產和傳播過程的權力機制,以深究這些機制如何在美國和東亞造成歷史創傷與現代社會不公義的深化。
洪子健曾獲多項殊榮,包括2007年捷克伊赫拉瓦國際紀錄片影展的最佳世界紀錄片獎、2018年紐約Art Matters基金會獎及2018年釜山國際電影節最佳紀錄片獎。他曾在多個著名機構舉辦個展,包括維也納猶太博物館(2022)、伯明翰Ikon畫廊(2021)以及Empty Gallery(2024、2019)。近期參與的群展包括邦納藝術協會(2024)、世界文化宮(2022、2017)、龐畢度中心梅斯分館(2021)、第十二屆台北雙年展(2020)及貝爾格勒當代藝術博物館(2018)。