Jacqueline Kiyomi Gork

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Jacqueline Kiyomi Gork, *the input of this machine is the power an output contains*, 2020, “Made in L.A. 2020: a version” installation view at Hammer Museum, 2021. © Jacqueline Kiyomi Gork. Courtesy: artist, Empty Gallery and François Ghebaly. Photo: Photo: Joshua White / JWPictures.com.

Jacqueline Kiyomi Gork, *Noise Blanket, Nos. 11 – 16, or Everybody’s Got Choices*, 2019, “Searching the Sky for Rain” installation view at SculptureCenter, New York. © Jacqueline Kiyomi Gork. Courtesy: artist, Empty Gallery and François Ghebaly. Photo: Kyle Knodell.

Jacqueline Kiyomi Gork, *Not Exactly B-Flat, 2017,* “Catchy” installation view at Empty Gallery, Hong Kong, 2017. © Jacqueline Kiyomi Gork. Courtesy: artist, Empty Gallery and François Ghebaly. Photo: Michael Yu

*Noise Blanket No.7*, 2017. Installation view of SFAI 150 | A Spirit of Disruption at San Francisco Art Institute, 2021. Courtesy: artist, Empty Gallery and François Ghebaly. Photo: Michael Yu

Jacqueline Kiyomi Gork, *Noise Blanket No. 7*, 2017, “Catchy” installation view at Empty Gallery, Hong Kong, 2017. © Jacqueline Kiyomi Gork. Courtesy: artist, Empty Gallery and François Ghebaly. Photo: Michael Yu

Jacqueline Kiyomi Gork，1982年生於洛杉磯，其多元混雜的藝術實踐結合聲音裝置、雕塑和演出，意在重整觀眾、表演者和展覽建築間傳統的分類等級制。她畢業於舊金山藝術學院，並於史丹福大學研究聲學與電腦音樂歷史。

Gork 的個人作品展曾於香港的Empty Gallery(2017)、洛杉磯的356Mission、三藩市的The Lab(2016)以及芳草地藝術中心（2016）舉行；曾參與的聯展包括有洛杉磯漢默美術館（Made in LA 2020)、紐約的 SculptureCenter(2019）、舊金山現代藝術博物館（2017）以及莫斯科V-A-C Foundation (2018)。她曾獲洛杉磯郡藝術博物館2021年的 Art + Technology Lab Grant。她在Empty Gallery的第二個個展現正舉行，而她在紐約François Ghebaly的首個展覽將於2022年1月舉行。

Selected Solo Exhibitions

2022

Solutions to Common Noise Problems, François Ghebaly, New York

2021

Olistostrome, Empty Gallery, HK

2020

Variations in Mass, #1-3, Various Small Fires, Los Angeles, CA

2018

Geometry of Now, VAC Foundation in Moscow

2017

Catchy, Empty Gallery, HK

Not Exactly B Flat, 356 Mission Rd

Inside You Is Me, Variation 3, Human Resources

2016

A Space for Looking is A Space for Listening, Western Front, Vancouver, BC

2014

It Only Happens All of the Time, Yerba Buena Center for the Arts, CA

Filter Resonance, CULT Exhibitions, San Francisco, CA

2013

2x2, Pro Arts Gallery, Oakland, CA

2012

No Touch, Eli Ridgway Gallery, San Francisco, CA

2009

Our Best Machines are Made of Sunshine, Queens Nails Projects, San Francisco, CA

2008

SYNAH Sometimes You Need A Hole, San Francisco Arts Commission Gallery, SF, CA

Selected Group Exhibitions

2021

"Made in L.A.", Hammer Museum & The Huntington, Los Angeles

A Spirit of Disruption, San Francisco Art Institute

2019

"Searching the Sky for Rain", Sculpture Center, NY

2017

Soundtracks, SFMoMA

2016

Resonant Structures, Stony Brook University, NY

2015

Contact Expo, DLS Solutions, Disjecta, Portland, OR

A+P+I Artist Residency, Mills College Art Museum, Oakland, CA

Acoustic Deconstruction of 2626 Bancroft Way, The Lab, San Francisco, CA

Site + Sound, Santa Cruz Museum of Art and History, Santa Cruz, CA

2014

What Keeps Mankind Alive, Steven Wolf Fine Arts, San Francisco, CA

Ambrosiano, Galbrath, Gordon, Schafer, Samuel Freeman Gallery, Los Angeles, CA

Reverb, Torrance Art Museum, Torrance, CA

2013

(something about magnetic extortion...), SOMArts, San Francisco, CA

Machine Project Field Guide to L.A. Architecture, Off-Site Getty Foundation, LA

MFA Selections, diRosa, Napa, CA

2012

Sound, Image, Object: The Intersection of Art and Music, Sonoma State University, Sonoma, CA

SOUNDWORKS, Institute of Contemporary Arts, London

2011

Joan Mitchell MFA Award, Cue Arts Foundation, New York, NY

Sound and Visual Constructions, Yerba Buena Center for the Arts, San Francisco, CA

Sound Art, 0th performance, Berkeley Art Museum, Berkeley, CA

San Francisco Electronic Music Festival, 0th performance, Brava Theater, San Francisco, CA

Scrambled, MFA Thesis Exhibition, Thomas Welton Stanford Art Gallery, Stanford University, CA

SINCERELY YOURS: ALMANAC, Baer Ridgway Exhibitions, San Francisco, CA

Spread: California Conceptualism Then and Now, Curated by Off-Space, SOMArts, San Francisco, CA

At Bay II, Phelan, Murphy and Cadogan Fellowship Exhibition, Worth Ryder Art Gallery, UC Berkeley, CA

2010

Beyond Surface, ARC Gallery though Kearny Street Workshop, San Francisco, CA

(…), MacArthur B Arthur Gallery, Oakland, CA

Zero1 San Jose Biennial, 0th performance, San Jose, CA

International Sculpture Center Outstanding Student Achievement Award Show, Grounds For Sculpture, Hamilton NJ

The Sound is the Movement, 0th performance, Theater of Yugen's NohSpace, San Francisco, CA

San Francisco Electronic Music Festival, Brava Theater, San Francisco, CA

The Blow Up Universe, 0th, Southern Exposure / Live with Animals, San Francisco/Brooklyn, CA/NY

Unraveling Tape, NOMA Gallery, San Francisco, CA

At Bay, Worth Ryder Art Gallery, Berkeley University, CA

When The Queenís Mussels Aced Infinity, 0th solo installation, 21 Grand, Oakland, CA

Devil-May-Care, Thomas Welton Stanford Art Gallery, Stanford University, CA

2009

APAture, Goforaloop Gallery, San Francisco, CA

DreamBlankets Performance, The Luggage Store Gallery, San Francisco, CA

0th, The Lab, San Francisco, CA

0th, 21 Grand, Oakland, CA

2008

Bones, CafÈ DuNord, San Francisco, CA

0th, The Smell, Los Angeles, CA

DreamBlankets Performance, Kitchen Noise, San Francisco, CA

0th, Artist Television Access, San Francisco, CA

JKG_selected press_2022Jan
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2022-09-19	Vunkwan Tam in Frieze
	Vunkwan Tam’s F was recently reviewed by Cassie Kaixin Liu in Frieze magazine. “With simultaneously mournful and irreverent works, ‘F’ at Empty Gallery is haunted by our inability to process grief in the internet age.” 更多…
2022-09-10	Jacqueline Kiyomi Gork in Signaling, KinoSaito
	The opening of Signaling, a new group exhibition at KinoSaito NY, coincides with their one-year anniversary (September 10, 2022). Curated by Alexander Provan, the exhibition will run through 11 December. Participating artists include: Vivian Caccuri, Raven Chacon, Nikita Gale, Jacqueline Kiyomi Gork, L’Rain, Nicole Miller, and Jeremy Toussaint-Baptiste. “To signal is to convey meaning through a gesture or expression—to communicate directly and artlessly, with the clarity of a traffic light or siren. In the realm of online posting and positioning, however, signaling has come to stand for the sharing of generic, fashionable statements, as opposed to genuine convictions, much less complicated opinions. Behind this new, negative definition is the strange expectation that every utterance somehow relay the speaker’s true meaning, or even true identity. But why should signaling be either sincere or performative, reflecting selfhood or groupthink? Why should people always reveal (or even know) what they mean and who they are, rather than expose or conceal themselves based on who is listening and what is at stake?” 更多…
2022-09-06	Susanne M. Winterling at Kunsthall Trondheim
	Susanne M. Winterling’s new solo exhibition, A threshold-game of proximity, cluster and heat, opens at Kunsthall Trondheim tomorrow (September 7, 2022). “In recent years, Winterling has explored the cultural, biological, and medicinal aspects of temperature. In their recent work, heat features as energy often indiscernible to the human eye, which nonetheless makes bodies quiver—from desire as much as fear—and which causes landscapes to surrender to drought or transform to ashes.” 更多…
2022-09-03	Jes Fan in from the underwater mountains fire makes islands
	A collaboration between Pivô Brazil and KADIST Art Foundation, de montañas submarinas el fuego hace islas [from the underwater mountains fire makes islands] is a new exhibition, publication and seminar series curated by Yina Jiménez Suriel. Two of Jes Fan’s Diagram works will be on view in the exhibition, which opens today (September 3, 2022) and will be on view until November 6, 2022. 更多…
2022-08-27	Frieze Seoul 2022 Preview in Ocula Magazine
	With Frieze Seoul opening on September 2, Ocula magazine has highlighted eight galleries’ presentations. From Alexander Lau, Director of Empty Gallery: “The selection of works we are bringing to Seoul includes a number of our core gallery artists, Cici Wu, Tishan Hsu, and Taro Masushio, who we are introducing to the Korean market for the first time, as well as Vunkwan Tam, a young artist from Hong Kong who has just joined the gallery. These artists all deal with the intersection between technological modernity, imperialist legacies, and contemporary East Asian identity in important ways.” 更多…
2022-08-20	Tishan Hsu in Cloud Walkers at Leeum Museum
	Opening on September 2, 2022, Cloud Walkers is a group exhibition opening at the Leeum Museum of Art in Seoul. Tishan Hsu will be one of the featured artists. The exhibition will be on view until January 8, 2023, and was curated by June Young Kwak. 更多…
2022-08-20	James T. Hong at the Jewish Museum Vienna
	James T. Hong’s Apologies v2016.2 will be presented at the Jewish Museum Vienna from October 12, 2022 until January 8, 2023, curator: Marcus G. Patka.
2022-08-10	Jes Fan in Ocula Magazine
	Transactions With Eternity at Kraupa-Tuskany Zeidler was recently reviewed by Noushin Afzali for Ocula Magazine. The exhibition closes on August 20, 2022. “On the other side of the gallery space is a sturdy pale-greenish frame; an interlocking resin-coated metal skeleton with three bloated glass pieces attached, given near-erotic shapes. Standing at almost 1.43 metres tall, Rack II (2022) is the latest work by multidisciplinary artist Jes Fan, whose similar juxtapositions of soft, fluid forms with rigid structures, are also on view in the Venice Biennale‘s central exhibition, The Milk of Dreams (23 April–27 November 2022).” 更多…
2022-08-06	Jes Fan Awarded Pollock-Krasner Foundation Grant
	“The Pollock-Krasner Foundation revealed that it would award grants totaling nearly $2.7 million to 106 artists and nonprofit organizations across the globe. The recipients represent sixteen countries and sixteen states.” Jes Fan has been awarded a Pollock-Krasner Foundation 2021–22 Artist Grant. The full list of grantees and Lee Krasner Award Recipients can be viewed at the link below. 更多…
2022-07-16	Jes Fan in Wallpaper*
	Jes Fan was profiled by Drew Zeiba for the August 2022 issue of Wallpaper* magazine. “Can art and biology come together to break down social constructs? Multidisciplinary artist Jes Fan uses fungi, bacteria and hormones to produce unique pieces exploring the intersections of biology, identity and creativity.” 更多…