Jacqueline Kiyomi Gork

Noise Blanket, Nos. 11-16, or Everybody’s Got Choices, 2019.
Image courtesy of the artist and Empty Gallery.

Noise Blanket, Nos. 11-16, or Everybody’s Got Choices, 2019.
Image courtesy of the artist and Empty Gallery.

Installation view, Jacqueline Kiyomi Gork
Image courtesy of the artist and Empty Gallery.

Not Exactly B Flat, 2017
Image courtesy of the artist and Empty Gallery.

Not Exactly B Flat, 2017
Image courtesy of the artist and Empty Gallery.

Installation view, Jacqueline Kiyomi Gork
Image courtesy of the artist and Empty Gallery.

Noise Blanket No.6, 2017
Image courtesy of the artist and Empty Gallery.

Noise Blanket No.7, 2017
Image courtesy of the artist and Empty Gallery.

Noise Blanket No.5, 2017
Image courtesy of the artist and Empty Gallery.

Noise Blanket No., 2017
Image courtesy of the artist and Empty Gallery.

SA-3, 2011.
Image courtesy of the artist and Thomas Welton Stanford Art Gallery.

SA-3, 2011
Image ourtesy of the artist and Thomas Welton Stanford Art Gallery.

Inside You is Me, 2016/2017
Image courtesy of the artist and SFMOMA.

Inside You is Me, 2016/2017
Image courtesy of the artist and SFMOMA.
Jacqueline Kiyomi Gordon 混雜多元的藝術實踐結合了聲音裝置,雕塑和表演,以重新定義觀眾,表演者與建築空間間的傳統分類。她的雕塑和聲音系統經常參照複雜的聲音歷史,且將之嵌進科技建築,聲音,溝通科技和軍事研究當中。透過研究我們具像化的聲音感知中機構與科技的權力網絡,她希望揭露我們在聽覺體驗中所受到的控制,並提供參與聲音世界的另類形式。
Gordon 近年於The Lab (2016) 、Western Front (2016) 、Et Al Etc (2016) 、The Yerba Buena Center For The Arts (2014) 、Eli Ridgeway Gallery (2012) 和 Queens Nails Projects (2009) 等舉行個展。她曾參與莫斯科VAC Foundation 舉辦的展覽 Geometry of Now (2017) ,並將參加SFMoMA 即將舉行的聲音藝術研究Soundtracks (2017)。她的作品曾於LAXArt, EMPAC, Mills College等地展出,亦被收進VAC foundation, SFMoMA, Berkeley Art Museum 的收藏。