Jacqueline Kiyomi Gork

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Noise Blanket, Nos. 11-16, or Everybody’s Got Choices, 2019.
Image courtesy of the artist and Empty Gallery.

Noise Blanket, Nos. 11-16, or Everybody’s Got Choices, 2019.
Image courtesy of the artist and Empty Gallery.

Installation view, Jacqueline Kiyomi Gork

Image courtesy of the artist and Empty Gallery.

Not Exactly B Flat, 2017
Image courtesy of the artist and Empty Gallery.

Not Exactly B Flat, 2017
Image courtesy of the artist and Empty Gallery.

Installation view, Jacqueline Kiyomi Gork

Image courtesy of the artist and Empty Gallery.

Noise Blanket No.6, 2017
Image courtesy of the artist and Empty Gallery.

Noise Blanket No.7, 2017
Image courtesy of the artist and Empty Gallery.

Noise Blanket No.5, 2017
Image courtesy of the artist and Empty Gallery.

Noise Blanket No., 2017
Image courtesy of the artist and Empty Gallery.

SA-3, 2011.

Image courtesy of the artist and Thomas Welton Stanford Art Gallery.

SA-3, 2011

Image ourtesy of the artist and Thomas Welton Stanford Art Gallery.

Inside You is Me, 2016/2017

Image courtesy of the artist and SFMOMA.

Inside You is Me, 2016/2017

Image courtesy of the artist and SFMOMA.

Jacqueline Kiyomi Gork’s hybrid practice combines work in sound installation, sculpture, and performance with the aim of reconfiguring the traditional hierarchies between audience, performer, and architecture. Her sculptural and sonic systems often reference complex sonic histories embedded into the technological infrastructure of architecture, music, communications technologies and military research. By investigating the networks of institutional and technological power which traverse our embodied perception of sound, she hopes to reveal the myriad ways in which our acoustic experience is subject to control and suggest alternative modes of engagement with the sonic world.

Jacqueline Kiyomi Gork (b. 1982, Long Beach) lives and works in Los Angeles. She received her BFA from the San Francisco Art Institute and her MFA from Stanford University. Recent show’s include SFMOMA’s Soundtracks (San Francisco), VAC’s Geometry of Now Festival (Moscow); and solo shows at Human Resources and 356 Mission Rd. (Los Angeles); and Empty Gallery (Hong Kong). Her work is in the collections of SFMOMA, K11 Foundation, Berkeley Art Museum, VAC Foundation and private collections.

Selected Solo Exhibitions

2018
Geometry of Now, VAC Foundation in Moscow
2017
Catchy, Empty Gallery, HK
2016
A Space for Looking is A Space for Listening, Western Front, Vancouver, BC
2014
It Only Happens All of the Time, Yerba Buena Center for the Arts, CA
Filter Resonance, CULT Exhibitions, San Francisco, CA
2013
2x2, Pro Arts Gallery, Oakland, CA
2012
No Touch, Eli Ridgway Gallery, San Francisco, CA
2009
Our Best Machines are Made of Sunshine, Queens Nails Projects, San Francisco, CA
2008
SYNAH Sometimes You Need A Hole, San Francisco Arts Commission Gallery, SF, CA

Selected Group Exhibitions

2021(Upcoming)
"Made in L.A.", Hammer Museum & The Huntington, Los Angeles
2019
"Searching the Sky for Rain", Sculpture Center, NY
2017
Soundtracks, SFMoMA
2016
Resonant Structures, Stony Brook University, NY
2015
Contact Expo, DLS Solutions, Disjecta, Portland, OR
A+P+I Artist Residency, Mills College Art Museum, Oakland, CA
Acoustic Deconstruction of 2626 Bancroft Way, The Lab, San Francisco, CA
Site + Sound, Santa Cruz Museum of Art and History, Santa Cruz, CA
2014
What Keeps Mankind Alive, Steven Wolf Fine Arts, San Francisco, CA
Ambrosiano, Galbrath, Gordon, Schafer, Samuel Freeman Gallery, Los Angeles, CA
Reverb, Torrance Art Museum, Torrance, CA
2013
(something about magnetic extortion...), SOMArts, San Francisco, CA
Machine Project Field Guide to L.A. Architecture, Off-Site Getty Foundation, LA
MFA Selections, diRosa, Napa, CA
2012
Sound, Image, Object: The Intersection of Art and Music, Sonoma State University, Sonoma, CA
SOUNDWORKS, Institute of Contemporary Arts, London
2011
Joan Mitchell MFA Award, Cue Arts Foundation, New York, NY
Sound and Visual Constructions, Yerba Buena Center for the Arts, San Francisco, CA
Sound Art, 0th performance, Berkeley Art Museum, Berkeley, CA
San Francisco Electronic Music Festival, 0th performance, Brava Theater, San Francisco, CA
Scrambled, MFA Thesis Exhibition, Thomas Welton Stanford Art Gallery, Stanford University, CA
SINCERELY YOURS: ALMANAC, Baer Ridgway Exhibitions, San Francisco, CA
Spread: California Conceptualism Then and Now, Curated by Off-Space, SOMArts, San Francisco, CA
At Bay II, Phelan, Murphy and Cadogan Fellowship Exhibition, Worth Ryder Art Gallery, UC Berkeley, CA
2010
Beyond Surface, ARC Gallery though Kearny Street Workshop, San Francisco, CA
(…), MacArthur B Arthur Gallery, Oakland, CA
Zero1 San Jose Biennial, 0th performance, San Jose, CA
International Sculpture Center Outstanding Student Achievement Award Show, Grounds For Sculpture, Hamilton NJ
The Sound is the Movement, 0th performance, Theater of Yugen's NohSpace, San Francisco, CA
San Francisco Electronic Music Festival, Brava Theater, San Francisco, CA
The Blow Up Universe, 0th, Southern Exposure / Live with Animals, San Francisco/Brooklyn, CA/NY
Unraveling Tape, NOMA Gallery, San Francisco, CA
At Bay, Worth Ryder Art Gallery, Berkeley University, CA
When The Queenís Mussels Aced Infinity, 0th solo installation, 21 Grand, Oakland, CA
Devil-May-Care, Thomas Welton Stanford Art Gallery, Stanford University, CA
2009
APAture, Goforaloop Gallery, San Francisco, CA
DreamBlankets Performance, The Luggage Store Gallery, San Francisco, CA
0th, The Lab, San Francisco, CA
0th, 21 Grand, Oakland, CA
2008
Bones, CafÈ DuNord, San Francisco, CA
0th, The Smell, Los Angeles, CA
DreamBlankets Performance, Kitchen Noise, San Francisco, CA
0th, Artist Television Access, San Francisco, CA