James T. Hong

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James T. Hong, *Apologies v.2016.2* at Jewish Museum of Vienna, 2022

*Three Arguments About the Opium* War (2015), Art Basel Hong Kong, 2022

*De Anima*, 2021, two-channel video installation

Image courtesy of the artist.

*EMP*, 2020, watercolor on paper

Image courtesy of the artist.

*Opening Closing Forgetting* (still), 2018

Image courtesy of the artist.

*Terra Nullius or: How to be a Nationalist* (still), 2015

Image courtesy of the artist.

James T. Hong is a filmmaker and artist who has been producing thought-provoking, unconventional, and occasionally controversial films and videos for over twenty years.

In recent years, Hong was awarded Grand Prize (Taiwan Competition), Taiwan International Documentary Festival (2021); Art Matters Foundation Grant, NYC (2018) and Best Documentary – Mecenat Award from the Busan International Film Festival (2018). He has participated in group exhibitions at Misako & Rosen for Onsen Confidential (2024); the Haus der Kulturen der Welt (2022, 2017); Center Pompidou Metz (2021); 12^th Taipei Biennial (2020); the Museum of Contemporary Art, Belgrade, Serbia (2018), Chi-Wen Gallery (2017); Kaohsiung Museum of Fine Arts (2017); Para Site (2015). His work was the subject of solo exhibitions at the Jewish Museum of Vienna (2022); Ikon Gallery (2021) and Empty Gallery (2019). His second solo exhibition with Empty Gallery will open in June 2024.

PRESS:
Payal Uttam, ‘From James T. Hong to Giang Lê: The artists rewriting history at Art Basel Hong Kong‘, Art Basel
Melanie Pocock, ‘The philosophical films of James T. Hong’, Ikon Gallery

James T Hong_Bio CV
DOWNLOAD pdf (177 KB)

James T Hong press archive
DOWNLOAD pdf (6.2 MB)


2024-04-06	Jes Fan in Weight of Mind, Hessel Museum of Art
	Artists: Kaari Upson, Jes Fan, and Lucas Blalock Dates: April 6 – May 26, 2024 Weight of Mind at Hessel Museum of Art, Bard College questions how memory is embodied and given new form in the works of three artists: Kaari Upson, Jes Fan, and Lucas Blalock. In divergent ways, their works—across sculpture and photography—examine how past experiences are transformed through different methods of translation, from molding and casting to pigmentation to digital manipulation. By thickening fragmented memories or past sensations, the artists invite the audience to examine moments of change that otherwise would be fleeting. The exhibition is curated by Thalia Stefaniuk. Read more …
2024-03-24	Jacqueline Kiyomi Gork interviewed for BOMB
	Sound art as performance, choreography, and object. Jacqueline Kiyomi Gork by Byron Westbrook in BOMB: “Jacqueline Kiyomi Gork’s work occupies a singular space at a nexus of visual arts and sound composition. With a multifaceted sphere of influences that includes textiles, club music, archaeoacoustics, and choreography, she has one of the most rigorous and unique practices in what is often termed sound art. Her work manifests as a generous space for audience exploration, where sculpture, sound, and interactive installation environments live and breathe in a symbiotic collaboration with viewer and architecture. Kiyomi Gork’s first East Coast institutional solo exhibition, Poems of Electronic Air, at Harvard University’s Carpenter Center presents an expansive survey of her ideas and work. In the conversation below, I speak with her about concepts explored in the show, including participation, feedback systems, surveillance, choreography, and sonic forms as expressive metaphor.” —Byron Westbrook Read more …
2024-03-22	Jes Fan in 2024 Greater Toronto Art
	New works by Jes Fan are now on view at Greater Toronto Art, the triennial at MOCA Toronto, from March 22, 2024— July 28, 2024. The curatorial team includes MOCA Curator Kate Wong and two invited guest curators, Ebony L. Haynes and Toleen Touq. Greater Toronto Art 2024 (GTA24) is the second edition of MOCA Toronto’s recurring triennial exhibition, which was conceived in 2021 to look more closely and consistently at artistic practices with a connection to the Greater Toronto Area (GTA). Featuring a constellation of twenty-five intergenerational artists, duos, and collectives, GTA24 looks back as much as it looks forward. The exhibition presents work made between the 1960s and the present, allowing the comingling of art created in different decades to provide new ways of understanding the current moment and imagining the future. Read more …
2024-03-18	Jes Fan in 2024 Whitney Biennial
	Empty Gallery congratulates Jes Fan on his participation in the 2024 Whitney Biennial, Even Better Than The Real Thing. The Seventy-one visionary artists and collectives in the latest chapter of the exhibition—Whitney Biennial 2024: Even Better Than the Real Thing—will follow in the footsteps of hundreds of Biennial artists before them to interpret our current landscape and tell stories, spark discussion, and comment on issues across a variety of media and disciplines. The curators of the 2024 Whitney Biennial are Chrissie Iles and Meg Onli, with Min Sun Jeon and Beatriz Cifuentes. Even Better Than The Real Thing will be on public view starting 20 March 2024, with previews from 12 through 17 March 2024. In The New York Times, read Siddhartha Mitter’s coverage: Whitney Biennial Picks a ‘Dissonant Chorus’ of Artists to Probe Turbulent Times. Read more …
2024-03-15	Vunkwan Tam and Xper.Xr in Yokohama Triennale
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2024-03-09	Raha Raissnia at H Queen's
	Drawing inspiration from the legendary Zaha Hadid, the architectural brilliance behind The Henderson, the exhibition showcases a collective of eight multidisciplinary women artists from diverse cultures, each forging visionary paths in their use of light as an artistic medium. Date: 9 March – 6 April 2024 Address: G/F, H Queen’s, 80 Queen’s Road Central Opening hours: 11am – 8pm Participating artists: Chila Kumari Singh Burman, Carla Chan, Jacqueline Hen, Sarah Lai, Betty Ng / COLLECTIVE, So Wing Po, Raha Raissnia and Liz West. Raha Raissnia’s Nour will be on view.
2024-03-05	Jacqueline Kiyomi Gork in Frieze
	Cassie Packard profiles Jacqueline Kiyomi Gork in Frieze: ‘This city has a hum – a Manhattan-specific drone music – that I love,’ Jacqueline Kiyomi Gork tells me when we meet in New York, after installing her first institutional solo show on the East Coast – ‘Poems of Electronic Air’– at Harvard University’s Carpenter Center for the Visual Arts. ‘Different parts of the city are characterized by markedly different sounds, down to patches where you can hear whooshes from the subway below.’ Sound – as material, process, system and event – is a phenomenon to which the Los Angeles-based artist is emphatically attuned. Born in Long Beach, California, Kiyomi Gork was ‘one of those kids who was always making art’ to make sense of the world, she says. She cut her teeth in a San Francisco noise band, playing homemade instruments like plastic inflatables rigged with contact microphones. After studying sound art at the now-defunct San Francisco Art Institute, she entered the MFA program at Stanford University, where she researched military sound technologies, and also became involved with the university’s Center for Computer Research in Music and Acoustics, which was working to reconstruct original experiences of sound at archaeological sites. Read more …
2024-03-04	Tishan Hsu at MAMCO Genève
	Opening March 5th in collaboration with the Secession in Viennia, MAMCO Geneva is proud to present a solo exhibition of Tishan Hsu. The exhibition will be on view until June 9th, 2024. “For more than four decades, Tishan Hsu (b. 1951 in Boston, lives and works in New York) has used art to explore the relationship between technology and the human body. His sculptures, wall pieces, silkscreen prints and, more recently, videos examine the cognitive, physical and social implications of everyday encounters between people and machines. The spring 2024 exhibition at MAMCO will bring together pieces from various stages of Hsu’s career – from his earliest works in the 1980s to the present day. Developed with extensive input from the artist himself, the show is also a collaborative effort with the Secession in Vienna, which will host an exhibition of Hsu’s newer productions in late 2023. Some of these recent pieces are also on display at MAMCO.” Read more …
2024-02-22	Cici Wu in u – New Project Spaces at Kunsthalle Zürich
	Eyrie Alzate, Jason de Haan, Nancy Lupo, Na Mira, Malcolm Mooney, Yuki Okumura, Hikari Ono, Francesca Percival, Bea Schlingelhoff, Jo-ey Tang, Cici Wu, Bruno Zhu and u Opening: February 23, 7 pm u is part artist, part vessel—a transferable personal alias, and a social interaction. u’s project spaces (2018–ongoing) are small boxes made of clear packing tape that act as a medium for collaborations with other artists and curators. u initiates the process by sending an empty project space to selected practitioners as an invitation to join an artistic dialogue, a new relationship and often a finished artwork. Thus u also performs the role of a curator by providing each participant carte blanche within an exhibition space that is small, but very flexible. As a result, the individual collaborators are foregrounded, while the initiator takes a backseat behind the easily overlooked lowercase letter ‘u’ (shorthand for the English word ‘you’). This collaborative way of thinking and working deliberately resists elaborate, commercial production mechanisms and allows for collaborations far beyond national borders. The heart of the project is to expand the concept of curating to include the interests of artists and to promote artistic exchange. Read more …
2024-02-22	Tishan Hsu in Multi-User Dungeon (MUD) at Petzel Gallery
	Petzel is pleased to present Multi-User Dungeon (MUD), a group exhibition opening Wednesday, February 21, 2024, curated by Simon Denny. The show will be on view through March 30, 2024, at Petzel’s Upper East Side location at 35 East 67th Street, Third Floor. Multi-User Dungeon (MUD) features works by etoy.corporation, Öyvind Fahlström, Genevieve Goffman, Jack Goldstein, Matthias Groebel, Peter Halley, Yngve Holen, Tishan Hsu, Josh Kline, Isabelle Frances McGuire, Seth Price, Harris Rosenblum, Avery Singer, Suzanne Treister, and Anicka Yi. Read more …

Sound art as performance, choreography, and object. Jacqueline Kiyomi Gork by Byron Westbrook in BOMB: