徐梯善

Installation view at 59th International Art Exhibition, Venice Biennale: ‘The Milk of Dreams,’ curated by Cecilia Alemani at Arsenale, 2022
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Installation view at 59th International Art Exhibition, Venice Biennale: ‘The Milk of Dreams,’ curated by Cecilia Alemani at Arsenale, 2022
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Breath 3, 2021
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Installation view at ‘Future Bodies From a Recent Past: Sculpture, Technology, and the Body since the 1950s,’ curated by Patrizia Dander with Franziska Linhardt, 2022
Photo: Elisabeth Greil, Bayerische
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

(Left) It’s Not the Bullet but the Hole 2, 1991. (Front) Virtual Flow, 1990-2018. (Right) Fingerpainting, 1994
Installation view at ‘Liquid Circuit,’ Hammer Museum; Los Angeles, 2020
Photo: Jeff McLane
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Virtual Flow, 1990-2018
Photo: Kyle Knodell
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

(Left) Closed Circuit II, 1986. (Second to left) Vertical Ooze, 1987. Ooze, 1987. (Right) Reflexive Ooze, 1987
Installation view at ‘Liquid Circuit,’ SculptureCenter; New York, 2021
Photo: Kyle Knodell
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Cellular-Automata, 1989
Private collection
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Fingerprint, 1989
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Outer Banks of Memory, 1984
Photo: Jeff McLane
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Cellular-Automata, 1989
Installation view at ‘Tishan Hsu,’ Pat Hearn Gallery; New York, 1989
Private collection
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Installation view at ‘Glow Like That’, K11 Art Foundation, 2019
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

QMH 6.2.1, 2021
Courtesy the Artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Boating Scene 1.1.2, 2019
Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Installation view at ‘Into Form: Selections from the Rose Collection, 1957—2018,’ Rose Art Museum, 2019
Courtesy the artist; Rose Art Museum, Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Manic Panic, 1987
Courtesy the Artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York