徐梯善

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Boating Scene GREEN 2, 2019

67” x 90”

Image courtesy of the artist and Empty Gallery.

QMH 1, 2019

40” x 53”

Image courtesy of the artist and Empty Gallery.

Boating Scene RED, 2019

47” x 140”

Image courtesy of the artist and Empty Gallery.

Installation view, Tishan Hsu

Image courtesy of the artist and Empty Gallery.

Cordless 2.0, 2018

71″ x 71″

Image courtesy of the artist and Empty Gallery.

Suture, 1997

95″ x 71″

Image courtesy of the artist and Empty Gallery.

Blister Pak, 1993

95″ x 142″

Image courtesy of the artist and Empty Gallery.

Feed Forward, 1989

109″ x 94″ x 49″ 

Image courtesy of the artist and Empty Gallery.

Fingerpainting 2, 1994

71″ x 177″

Image courtesy of the artist and Empty Gallery.

Double Bind, 1989

76″ x 49″ x 61″

Image courtesy of the artist and Empty Gallery.

 

Walking Grey, 1980

32″ x 61″ x 36″

Image courtesy of the artist and Empty Gallery.

Becoming Fish, 1996

95″ x 71″

Image courtesy of the artist and Empty Gallery.

Toxic Rain, 1990

71″ x 71″

Image courtesy of the artist and Empty Gallery.

徐梯善在波士頓出生,童年在蘇黎世渡過,成長期間曾居於美國不同地方包括俄亥俄,威斯康辛,維吉尼亞和紐約。還是少年的他已在維吉尼亞舉行首個個展,並於整個地區作巡展。徐梯善1973年畢業於麻省理工學院建築系,1975年完成碩士課程;在麻省理工就讀學期間,更同時於哈佛大學卡本特視覺藝術中心修讀電影。徐梯善於1979年移居紐約生活至今,他在紐約的首個展覽是在Pat Hearn 畫廊舉行。自1985年起,徐梯善的作品曾多次於美國,歐洲及墨西哥展出,並為公共機構及私人所收藏。他曾1988年至1990年期間於德國科隆生活及工作。

 

徐梯善在2013至2016年於上海開設了一間工作室,並在那裡完成了一個以其從家族相簿中發現的舊照片而進行的創作計劃。他大部分的作品試圖傳遞一種具體化的科技,但他對科技的興趣不在於運用某種特定機具,而是對科技影響的感知。他作品的類型包括繪畫,數碼媒體計劃及雕塑。

 

徐梯善的作品為紐約大都會藝術博物館、巴黎龐比度中心、法蘭克福現代藝術美術館、亞特蘭大High Museum、洛杉磯當代藝術美術館、北邁阿密當代藝術博物館及明尼阿波利斯魏斯曼美術館等所收藏。他曾是White Columns的董事會成員和Skowhegan School of Painting and Sculpture的理事。直至不久前,徐梯善仍是莎拉勞倫斯學院視覺藝術系教授,普瑞特藝術學院和哈佛大學的訪問教授。

Education

Massachusetts Institute of Technology, Cambridge, Massachusetts, B.S.A.D., M.Arch.

Public Collections

Rose Art Museum, Waltham, MA
Museum fur Moderne Kunst, Frankfurt am Main
Metropolitan Museum of Art, New York
Centre George Pompidou, Paris
High Museum, Atlanta
Terra Museum, Mexico City
Los Angeles Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, North Miami, Florida
C21 Museum, Nashville, Tennessee
Weisman Museum, Minneapolis, Minnesota

Residency

1988 - 1990
Cologne, Germany

Teaching

1994 - 2018
Professor of Visual Arts, Sarah Lawrence College, Bronxville, NY
2005 - 2006
Visiting Professor of Visual and Environmental Studies Harvard University, Cambridge, MA
1993 - 1996
Visiting As sistant Professor, Patt Institute, Brooklyn, NY
1997
Visiting Artist: Tyler School of Art, Temple University
1996
Visiting Artist: Stanford University, Dept. of Art
1992
Visiting Artist: Cranbrook Academy of Art - Painting Dept.
1989
Visiting Artist: Yale University School of Art - Sculpture Dept
1987
Guest Lecturer: Columbia College, Columbia University
Guest Lecturer: Carnegi-Mellon University Art Dept.

Selected Solo Exhibitions

2019
Empty Gallery, Hong Kong
2002
The Annex, New York
1991
Galerie Rolf Ricke, Cologne, Germany
1990
Lino Silverstein Gallery, Barcelona, Spain
1989
Pat Hearn Gallery, New York
1988
M.I.T. List Visual Arts Center, Cambridge, Massachusetts
1987
Carnegie Mellon University Art Gallery, Pittsburgh
Leo Castelli Gallery, New York
Pat Hearn Gallery, New York
Hillman Holland Gallery, Atlanta
1986
Pat Hearn Gallery, New York
1985
Pat Hearn Gallery, New York
1984
White Columns, New York

Selected Group Exhibitions

"Brand New: Art and Commodity in the 1980s", Hirshhorn Museum and Sculpture Garden, Washington, DC
2012
“Desperately Seeking Susan”, Kathleen Cullen Gallery, New York
2005
“Extension – Mind to Body to Technology", San Giacomo degli italiani, Naples, Italy (with Cybercast from New York)
2002
“Einfach Kunst. Sammlung Rolf Ricke”, Neues Museum in Nürnberg, Germany
2001
“Selections from the Permanent Collection”, Museum of Contemporary Art, North Miami, Florida
“Pat Hearn Gallery – Part One (1983-1987)"
1998
“Digital Hybrids”, McDonough Museum of Art, Youngstown, Ohio
1997
“Techno.Seduction”, The Cooper Union, New York
1996
“Natural Spectacles”, David Winter Bell Gallery, Providence, Rhode Island
1993
“Art in the Age of Information”, Pittsburgh Cultural Trust & 808 Penn Modern, Wood Street Galleries, Pittsburgh, Pennsylvania
1992
“Regard Multiple - Acquisitions de la Societe des Amis du Musee national d’art moderne”, Centre George Pompidou, Paris
“A New American Flag”, Max Protecht Gallery, New York
1991
“42nd Biennial Exhibition of Contemporary American Painting”, The Corcoran Gallery of Art, Washingon, D.C.
1990
“A La Bibliothek”, Salzburger Kunstveriein, Salzburg, Austria; Stadt. Museum, Mulheim a.d. Ruhr, West Germany
“Vertigo”, Galerie Thaddeus Ropac, Paris
“Mind Over Matter”, Whitney Museum of American Art, New York
“Culture in Pieces - Other Social Objects”, Beaver Art Gallery, Beaver College, Glenside, Pennsylvania
“The Technological Muse”, Katonah Art Museum, Katonah, New York
”Hybrid Neutral: Modes of Abstraction and the Social”, 1988-1990 traveling exhibiton organized and circulated by Independent Curators Inc., New York
“The Shadow of Presence”, Galerie Charles Cartwright, Paris
“Status of Sculpture”, 1990-1991, ELAC Art Contemporain, Lyon, France; Institute of Contemporary Art, London;Kunstmuseum de Hasselt, Hasselt, Belgium; Stiftung Starke, Gemeinnutzige Kunststiftung, Berlin, Germany
“Spellbound”, Marc Richards Gallery, Los Angeles
1989
“Baldessari, Rauschenburg, Rosenquist, Hsu, Quentel”, Ernst Busche Gallery, Cologne, Germany
“Einleuchten - Will, Vorstel & Simul”, Deichtorhallern, Hamburg, West Germany
“Painting Beyond the Death of Painting”, Kuznetsky Most Exhibition Hall, Moscow
“The Silent Baroque”, Galerie Thaddaeus Ropac, Salzburg
“Nonrepresentation (The Show of the Essay)”, Annie Plumb Gallery, New York
1988
“The Binational - American Art of the late 80’s”, Institute of Contemporary Art & The Museum of Fine Arts, Boston, Massachusetts; Stadtische Kunsthalle, Kunstsammlung Nordrhein-Westfalen & Kunstverein fur die Rheinlande and Westfalen Dusseldorf, West Germany
“Art a the End of the Social”, Rooseum, Malmo, Sweden
“A New Generation of the 1980’s: American Painters and Sculptors”, The Metropolitan Museum of Art, New York
“Complexity & Contradiction”, Scott Hanson Gallery, New York
“The Inside and the Outside”, Rhona Hoffman Gallery, Chicago
“Drawings”, Laurie Rubin Gallery, New York
“New York Art Now” (Parat II), Saatchi Collection, London, England
1987
“Leo Castelli y Sus Artistas”, Centro Cultural Arte Contemporaneo, A.C., Mexico City, Mexico
“Primary Structures”, Rhona Hoffman Gallery, Chicago
“Sculptures”, Galerie Charles Cartwright, Paris, France
“NY New Art”, Mayor Rowan Gallery, London, England
“Locations”, Galerie Thaddeus Ropac, Salzburg and Galerie im Taxispalais, Innsbruck, Austria
“The Ironic Sublime”, Galerie Albrecht, Munich, West Germany
“The Antique Future”, Massimo Audiello Gallery, New York
“Armleder, Artschwager, Hsu”, Pat Hearn Gallery, New York
1986
“Modern Sleep”, American Fine Arts Gallery, New York
“As Sculpture”, Daniel Newburg Gallery, New York
1985
“Brave New World - A New Generation”, Charlottenburg Exhibition Hall, Copenhagen, Denmark
“More Than Meets the Eye”, Fabian Carlson Gallery, London, England
“Emily, Anna & Tishan: The First Generation”, Asian Arts Institute, New York
1984
“Invitational”, Matthews Hamilton Gallery, Philadelphia
“Brilliant Color”, Baskerville + Watson Gallery, New York
“Update”, White Columns, New York
1983
“Berkshire Art Museum, Pittsfield, Massachusetts
“Terminal Show”, Brooklyn, New York
1981
“Arabia Felix”, Art Galaxy, New York