徐梯善

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Tishan Hsu, *car-grass-screen-2* and *car-body-screen-2,* 2024. High Line Commission, May 2024 – April 2025. On the High Line at Little West 12th Street. Photography by Stephen Faught. © Tishan Hsu / Artists Rights Society (ARS), New York

Installation view, *Tishan Hsu: recent work*, Secession, Austria, December 1, 2023 – February 11, 2024. Photography: Oliver Ottenschlaeger. © Tishan Hsu / Artists Rights Society (ARS), New York

Installation view, Tishan Hsu, MAMCO Genève, March 5 – June 9, 2024. Photo © Annik Wetter, MAMCO Genève, 2024. © Tishan Hsu / Artists Rights Society (ARS), New York

Installation view, *Tishan Hsu: screen-skins*, Empty Gallery, 2023

Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Tishan Hsu, *breath 9*, 2023

Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Installation view at 59th International Art Exhibition, Venice Biennale: ‘The Milk of Dreams,’ curated by Cecilia Alemani at Arsenale, 2022

Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

(Left) *It’s Not the Bullet but the Hole 2*, 1991. (Front) *Virtual Flow*, 1990-2018. (Right) *Fingerpainting*, 1994
Installation view at ‘Liquid Circuit,’ Hammer Museum; Los Angeles, 2020
Photo: Jeff McLane

Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

*Cellular-Automata*, 1989
Installation view at ‘Tishan Hsu,’ Pat Hearn Gallery; New York, 1989
Private collection

Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Installation view at ‘Glow Like That’, K11 Art Foundation, 2019

Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

Installation view, *Tishan Hsu: delete*, Empty Gallery, 2019 (L) *Dread-Fog*, 2013; (R) *Boating Scene 1.1.3*, 2019

Courtesy the artist; Empty Gallery, Hong Kong, Miguel Abreu Gallery; New York
© Tishan Hsu / Artists Rights Society (ARS), New York

徐梯善在波士頓出生，童年在蘇黎世渡過，成長期間曾居於美國不同地方包括俄亥俄，威斯康辛，維吉尼亞和紐約。還是少年的他已在維吉尼亞舉行首個個展，並於整個地區作巡展。徐梯善1973年畢業於麻省理工學院建築系，1975年完成碩士課程；在麻省理工就讀學期間，更同時於哈佛大學卡本特視覺藝術中心修讀電影。徐梯善於1979年移居紐約生活至今，他在紐約的首個展覽是在Pat Hearn 畫廊舉行。自1985年起，徐梯善的作品曾多次於美國，歐洲及墨西哥展出，並為公共機構及私人所收藏。他曾1988年至1990年期間於德國科隆生活及工作。

徐梯善在2013至2016年於上海開設了一間工作室，並在那裡完成了一個以其從家族相簿中發現的舊照片而進行的創作計劃。他大部分的作品試圖傳遞一種具體化的科技，但他對科技的興趣不在於運用某種特定機具，而是對科技影響的感知。他作品的類型包括繪畫，數碼媒體計劃及雕塑。

徐梯善的作品為紐約大都會藝術博物館、巴黎龐比度中心、法蘭克福現代藝術美術館、亞特蘭大High Museum、洛杉磯當代藝術美術館、北邁阿密當代藝術博物館及明尼阿波利斯魏斯曼美術館等所收藏。他曾是White Columns的董事會成員和Skowhegan School of Painting and Sculpture的理事。直至不久前，徐梯善仍是莎拉勞倫斯學院視覺藝術系教授，普瑞特藝術學院和哈佛大學的訪問教授。

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