Jes Fan

Diagram IX, 2021
Image courtesy of the artist and Empty Gallery.
Photo credit: Pierre Le Hors

Installation view from “The Stomach and the Port”, Liverpool Biennial 2021
Image courtesy of the artist and Liverpool Biennial 2021.
Photo credit: Stuart Whipps

Network (For Dispersal), detail, 2021,
Image courtesy of the artist and Liverpool Biennial 2021.
Photo credit: Stuart Whipps

Xenophoria, 2020
Image courtesy of the artist and Empty Gallery.

Form Begets Function, 2020
Image courtesy of the artist and Empty Gallery.

Installation view from 22nd Biennale of Sydney: NIRIN
Image courtesy of the artist and 22nd Biennale of Sydney: NIRIN, Museum of Contemporary Art Australia.

Hand Feeling (still), 2019
Image courtesy of the artist and Empty Gallery.

Installation view from An Opera for Animals.
Image courtesy of the artist and Rockbound Art Museum, Shanghai.

Installation view from The Socrates Annual 2019
Image courtesy of the artist and Socrates sculpture park.

Installation view from Forget Sorrow Grass: An Archaeology of Feminine Time
Image courtesy of the artist and Times Museum, Guangzhou.

Systems III, 2018
Image courtesy of the artist.
范加來自紐約布魯克林的藝術家,加拿大出生,在中國香港長大。他獲多個研究基金如Joan Mitchell Painters and Sculptors Grant、Jerome Hill Artist Fellowship、Museum of Arts and Design的 Van Lier Fellowship、Pioneer Works駐場計劃和 RISD 的John A. Chironna Memorial Award。范加的作品曾在世界各地展出,包括在Hayward Gallery(英國倫敦)的《Kiss My Genders》、Empty Gallery(香港)的《母親是女的》、上海外灘美術館(中國上海)的《百物曲》、Para Site(香港)的《 尋求無情小姐》、卡尼基美隆大學(美國匹茲堡)的《Paradox: Haptic Body in the Age of A》及Vox Populi Gallery(美國費城)的《Disposed to Add 》等等。范加曾參與多個藝術家駐場計劃,包括Bemis Center for Contemporary Arts、Recess Art、 Smack Mellon和 Pioneer Works。范加的作品曾獲美Artforum、Hyperallergic、AsiaArtPacific、BOMB magazine、Frieze magazine及Mousse Magazine報導及評論。2020年,范加將會參加悉尼雙年展及利物浦雙年展。