松澤宥
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Yutaka Matsuzawa at Yale Union, June 30–August 18, 2019. Courtesy of Yale Union. Photo by Leif Anderson.
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Yutaka Matsuzawa at Yale Union, June 30–August 18, 2019. Courtesy of Yale Union. Photo by Leif Anderson.
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Yutaka Matsuzawa, The Nine Meditation Chambers (detail), 1977. Courtesy of Yale Union. Photo by Leif Anderson.
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Yutaka Matsuzawa, Contemplate a White Circle in This White Sheet of Paper (Swan Song), 1976. Courtesy of Yale Union. Photo by Leif Anderson.
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Yutaka Matsuzawa, Symbol Poem No. 4, 1954. Collection of Matsuzawa Kumiko.
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Yutaka Matsuzawa, Untitled, c. 1960–63. Collection of Matsuzawa Kumiko.
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Yutaka Matsuzawa, Untitled, c. 1960–63. Collection of Matsuzawa Kumiko.
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Yutaka Matsuzawa at Nonaka-Hill Gallery, September 7–October 5, 2019. Courtesy of Nonaka-Hill.
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Yutaka Matsuzawa at Nonaka-Hill Gallery, September 7–October 5, 2019. Courtesy of Nonaka-Hill.
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Mitsutoshi Hanaga, Matsuzawa Yutaka’s Psi Zashiki Room in Shimo Suwa, 1969. Courtesy of the artist and Nonaka-Hill Gallery.
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Mitsutoshi Hanaga, Matsuzawa Yutaka performing with his 1966 Banner of Vanishing (Humans, Let’s Vanish, Let’s Go, Let’s Go, Gate, Gate, Anti-Civilization Committee) at Mount Misa, Shimo Suwa, 1970.
Photo © Hanaga Mitsutoshi. Courtesy of Mitsutoshi Hanaga Project Committee.
松澤宥(1922-2006)被視為日本概念藝術的先峰。生於日本中部的下諏訪町,松澤在二戰期間正修讀
建築,見證著1945年3月東京大轟炸的後遺影響,他於畢業時揚言希望「創造一種不可見建築」。捨棄建
築實踐後,松澤轉而寫詩、作畫,在其家鄉從事教學工作的同時進行藝術創作。在實踐構想中,松澤開
始發展出一套對概念藝術的獨特理解,提昇並超越了西方、歐洲中心主義藝術世界對概念藝術的典型看
法。