Susanne M. Winterling
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Cluster, 2022, microscopic image of living matter, printed on silk
Courtesy Susanne M. Winterling
Photo: Daniel Vincent Hansen
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Installation view from Susanne M. Winterling’s exhibition A threshold-game of proximity, cluster and heat at Kunsthall Trondheim
Courtesy Susanne M. Winterling
Photo: Daniel Vincent Hansen
![](https://emptygallery.com/wp-content/uploads/2018/09/5-1280x852.jpeg)
Installation view from Susanne M. Winterling’s exhibition A threshold-game of proximity, cluster and heat at Kunsthall Trondheim
Courtesy Susanne M. Winterling
Photo: Daniel Vincent Hansen
![](https://emptygallery.com/wp-content/uploads/2018/09/600x400_icub180427_126_web.jpg)
Glistening Troubles, 2017
Image courtesy of the artist and Museum of Modern Art Dubrovnik.
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Untitled (carpet ecocide bombay beach), 2017
Image courtesy of the artist and Acud Galerie.
![](https://emptygallery.com/wp-content/uploads/2018/09/WABMB-2015_Booth-installation-view-4_WEB-1280x853.jpg)
Planetwall, 2015
Image courtesy of the artist and Jessica Silverman Gallery.
![](https://emptygallery.com/wp-content/uploads/2018/09/W20_polysemes.jpg)
Jigsaw falling out of place (the lizard lopsided), 2011
Image courtesy of the artist and Grand Century.
Susanne M. Winterling 1970年生於德國雷豪,現於該地工作。Winterling的創作涉獵多種不同媒介包括電影,攝影,雕塑和表演,而最為人所熟知的則是她批判地結合再現現實的時間裝置。她的作品以空間性組系的形式捕捉和探討主要的現代主義概念,權力結構和層級歷史編纂;她的創作實踐重視純粹資訊和形式所忽略的,包括以感性的方法處理媒體和透過理解所謂沈浸和如力量流的能量所獲得的材料。Winterling強調我們要提高知覺和批判意識,為此她進行了由情感主導和以物料為本的研究,突顯了在我們生態系統中生產者、觀者、物料和物種之間的主觀互動。
近斯展覽包括費城當代藝術學院和挪威奧斯陸HOK的《 Myths of the Marble》、波士頓MIT List Center 的《An Inventory of Shimmers》,Contour Biennale 2017、 Kunstverein Freiburg的《Sitevisit 》、阿姆斯特丹 Kunstverein 的《Complicity》、TBA21 Vienna 和 MoMa Dubrovnik的《Tidalectics》、Karma Ltd Extended的《Variations On Time》、 華盛頓大學亨利美術館的《 Between Bodies》和 Luleåbiennalen 2018。