Carol Yinghua Lu and Genevieve Yue with Chan Hau Chun

Saturday, August 16, 4-6PM

In tandem with our current exhibition Map of Traces, closing August 30, we are pleased to convene a conversation between Carol Yinghua Lu, Genevieve Yue and Chan Hau Chun. No RSVP required, walk-ins welcome.

Carol Yinghua Lu is an art historian, curator, and currently Director, Beijing Inside-Out Art Museum. Together with Liu Ding, she is co-Artistic Director of the 8th Yokohama Triennale 2024. She holds a Doctorate in art history from University of Melbourne. She was previously Artistic Director and Senior Curator of OCAT, Shenzhen, 2012-2015; guest curator at Museion, Bolzano, 2013; and China Researcher for Asia Art Archive, 2005-2007. She was co-Artistic Director of Gwangju Biennale 2012; and Shenzhen Sculpture Biennale, 2012. Lu was a recipient of ARIAH’s (Association of Research Institute in Art History) East Asia Fellowship, 2017; and a Visiting Fellow in the Asia-Pacific Fellowship Program at Tate Research Centre, 2013.

Genevieve Yue is an associate professor of Culture and Media and director of the Screen Studies program at Eugene Lang College, The New School. She is co-editor of the Cutaways series at Fordham University Press, a member of the October advisory board, and an independent film programmer, with screenings at Anthology Film Archives, Metrograph, Light Industry, and Tallinn Photomonth. Her essays and criticism have appeared in Mubi Notebook, Reverse Shot, October, Grey Room, The Times Literary Supplement, Film Comment, and Film Quarterly, and her book Girl Head: Feminism and Film Materiality was published in 2020 by Fordham University Press.

Chan Hau Chun is a filmmaker living and working in Hong Kong. She received her BA from City University of Hong Kong in 2015. Her work was the subject of a solo exhibition, Silent Sojourns, at WMA Space, Hong Kong in 2024. She has also participated in group exhibitions including Tsaiyun (Rosy-Cloud) Bridge / Forget Each Other in the Rivers and Lakes at Hordaland Kunstsenter, Norway (2023); An Individual as Society at the Centre for Contemporary Art, Guangzhou, China (2019); and Drifting Borders at Cattle Depot Artist Village, Hong Kong (2018).

Her films have been screened at various festivals including Golden Horse Awards (Taipei), Taiwan International Documentary Festival (TIDF), Image Forum Festival (Tokyo), International Short Film Festival Oberhausen (Germany), Hong Kong ifva Festival, and True/False Film Fest (Missouri).