武雨濛

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*Foreign Object #1 Fluffy Light (Taro Masushio),* 2018

Image courtesy of the artist and 47 Canal.

*Upon Leaving the White Dust*, 2017/2018

Image courtesy of the artist and 47 Canal.

*Movies, with Noah Barker, curated by Levi Easterbrooks,* 2019

Image courtesy of the artist and 47 Canal.

*Closer, Closer, Says Love*, 2017

Image courtesy of the artist and 47 Canal.

*The Disappearance of Yu Man-hon (storyboard 03)* , 2017

Image courtesy of the artist and 47 Canal.

Cici Wu (b.1989) lives and works in New York. She received her BA from The City University of Hong Kong, School of Creative Media. In 2013, she moved to the United States, where she earned an MFA in Sculpture from Maryland Institute College of Art in Baltimore. Wu has had solo exhibitions at 47 Canal, New York (2018), Bonnevalle, Noisy-le-Sec, France (2018), and has participated in group exhibitions at Interstate Projects, Brooklyn (2019), Para Site, Hong Kong (2018), and Triangle Art Association, Brooklyn (2017), among others. She also co-founded PRACTICE: a studio, residency, and exhibition space based in New York which has been operating since 2015.

Education

2015

Maryland Institute College of Art, MFA, Sculpture, Baltimore, MD

2011

School of Creative Media, City University of Hong Kong, BA (Hons), Hong Kong

Solo Exhibitions

2019

Unfinished Return, Empty Gallery, Hong Kong

2018

Long Distance Runner, Bonnevalle, Noisy-le-Sec, France

Upon Leaving the White Dust, 47 Canal, New York

Selected Group Exhibitions

2019

Miffed Blue Return, 47 Canal, New York

Movies, Interstate Projects, Brooklyn, NY (Two person exhibition with Noah Barker, curated by Levi Easterbrooks)

2018

World Views, 321 Gallery, New York

Looking into Spotless Rain, Assembly Room, New York

Crush, Para Site, Hong Kong

2017

Residency Artists Exhibition, Taipei Artist Village, Taipei, Taiwan

A Disappearing Act, Triangle Arts Association, New York (two person exhibition with Su Yu-hsien, curated by Xiaofei Mo)

Mosquitoes, Dusts and Thieves, 47 Canal, New York

2016

Not Really Here, Platform Gallery, Baltimore, MD

2015

Project 837: Home and Homelessness II, VisArts Center, Rockville, VA

MFA Thesis Show, Fox 3 Gallery, Baltimore, MD

Project 837: Home and Homelessness, Project PLASE, Baltimore, MD

Women’s Work, performed “Hand/Made” with Maren Hassinger, Walters Art Museum, Baltimore

2014

November, 437A, Brooklyn, NY

Curatorial

2018

The Room of Spirit and Time (TRST), a collective reading project

2017

杂毛连须公 Scraggly Beard Grandpa: Weiyi Li, Yunyu "Ayo" Shih, Xinyi Cheng, Rania Ho, Wang Wei, Taro Masushio, Ali Van, Casey Robbins, Zheng Yuan, Seon Young Park, Irini Miga, and João Vasco Paiva, Organized with Wang Xu, Capsule Shanghai, Shanghai, China

2015

Co-founded PRACTICE, New York, a studio, residency, and exhibition space

Residency

2018

Queens Museum Studio Residency, Queens, NY

Seawitch, Hong Kong

2017

Taipei Artist Village, Taipei, Taiwan

2012

Museum of Ideas, L’viv, Ukraine

Scholarship

2013

Mildred Caplan Perl '39 Scholarship, Maryland Institute College of Art, Baltimore, MD

Graduate Merit Scholarship, Maryland Institute College of Art, Baltimore, MD

Publication

2017

PRACTICE x Wind, published by N-o-nS…e;nSI/c::::a_L

Talk

2018

Disjunctive Wonton Flows: Screening and Artist Talk, with Qu Chang, Para Site, Hong Kong

Summer of Know, Guggenheim, New York, NY

2017

Split & Degenerate - Cici Wu and Su Yu-Hsien, Art Square, Tainan, Taiwan

A Disappearing Act: Conversation with Howie Chen, Su Yu-Hsien, and Cici Wu, Triangle Arts Association, Brooklyn, NY

EG_CiciW_Selected Press_Jul16
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2020-09-29	REI HAYAMA in Notes for Tomorrow with Independent Curators International
	“Notes for Tomorrow” is an experimental exhibition conceived by Independent Curator’s International and made up of artworks selected by curators from around the world to reflect on a new global reality ushered in by the COVID-19 pandemic. In this cultural moment of transition, each work is a source of inspiration from the recent past and a guiding perspective for the future. Rei Hayama’s film On the colinear and reflected on the water (2018) of a crying emu is included in the exhibition. Curated by Charles Campbell, Freya Chou, Giulia Colletti, Veronica Cordeiro, Allison Glenn, Tessa Maria Guazon, PJ Gubatina Policarpio, Ivan Isaev, Ross Jordan, Drew Kahuʻāina Broderick, Josh Tengan, Esteban King Álvarez, João Laia, Luis Carlos Manjarrés Martínez, Fadzai Veronica Muchemwa, Lydia Y. Nichols, Marie Hélène Pereira, Balimunsi Philip, Josseline Pinto, Florencia Portocarrero, Shahana Rajani, Rachel Reese, Marina Reyes Franco, Mari Spirito, Alexandra Stock, Eszter Szakács, Abhijan Toto, Fatoş Üstek, Su Wei, Sharmila Wood. 更多…
2020-09-20	EKTOR GARCIA in exhibitions sunthread, There Will Come Soft Rains
	ektor garcia is part of sunthread, an exhibition also featuring Astrid Terrazas and Olivia Neal at Gern en Regalia, an artist-run project space. The show space located in the back of Aeon bookstore at 151 East Broadway New York, NY. Open hours from 12 – 8pm Tuesday – Sunday. garcia is also participating in There Will Come Soft Rains, the inaugural exhibit at Candice Madey Gallery’s new Rivington Street space, on view until Thursday, November 5, 2020. The exhibition examines the tenuous logic of human lexica—such as language, architecture, taxonomies, or timelines—and the anthropic arrogance inherent to systems that are created to uphold existing hierarchies. Artists in the exhibition explore the tensions between structure and chaos, culture and nature, reason and instinct—ultimately embracing a strategy of fissure, decay, chaos, and rebirth. Featured artists: Uri Aran, ektor garcia, Julia Haft-Candell, Adam Henry, Steffani Jemison, Sahar Khoury, Marlene McCarty, Joan Nelson, Em Rooney and Didier William. 更多…
2020-09-18	John Ziqiang Wu in Otis College of Art and Design's Lecture Series
	On September 22 at 11:00AM – 12:15PM PST, John Ziqiang Wu will speak online as part of Otis College of Art and Design’s Fine Arts Visiting Artist Lecture Series. Click below register for the event. Wu will speak about his experiences as a painter and teacher, and the intersections between art and learning. He currently operates an art tutoring studio, Learning Art & Art Learning Studio, with his wife. 更多…
2020-09-18	Tishan Hsu's Liquid Circuit Travels to SculptureCenter, NY
	Marking the reopening of SculptureCenter in Long Island, New York, Thursday 24 September is the opening of “Liquid Circuit”, TISHAN HSU’S first museum survey exhibition in the United States. After a celebrated summer at the Hammer Museum, the exhibition lands on the East Coast with over fifty of his most representative works. “Tishan Hsu: Liquid Circuit” is organized by SculptureCenter, New York, and is curated by SOHRAB MOHEBBI, Curator-at-Large, with KYLE DANCEWICZ, Interim Director. Also look out for Hsu speaking at Boston University’s Tuesday Night MFA Lecture Series on October 20. 更多…
2020-09-08	REI HAYAMA in 2020 Busan Biennale
	Rei Hayama’s collaboration with Zai Tang (SG), Dormant Soil / Concrete Reflections (2020, 5.1 channel sound, 2 channel video) in now on view at the 2020 Busan Biennale “Words at an Exhibition —An Exhibition in Ten Chapters and Five Poems”, from September 5 through November 8, 2020. Hayama and Tang’s collaboration is featured in Chapter 3 of the biennale, and is a collaborative response to the poem Haeundae Texas Queen Kong by Kim Hyesoon. This marks the ﬁrst collaboration between Rei Hayama and Zai Tang with their respective foundations in ﬁlm and sound. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Their approach aimed to triangulate between Hyesoon’s text, Rei’s image and Zai’s sound, navigating towards a third space in the middle. Rei and Zai initially engaged in a parallel process: In response to the personal affects and thematic resonances each of them felt from Hyesoon’s poem, both of them collected material from their respective surroundings of Yokohama and Singapore. The biennale was directed by Jacob Fabricius, and it is located by the Museum of Contemporary Art Busan and hosted by Busan Metropolitan City, Busan Biennale Organizing Committee.⠀ 更多…
2020-08-29	SOUTH CHINA MORNING POST: Aaina Bhargava ON JES FAN
	Artist Jes Fan is fascinated by the beautiful and the repulsive. His exploration of the contrast between them leads him to question our standards of beauty, shaped as they are by consumerism. “In the age of Teslas and Brazilian waxes, everything has to be smooth and [without corners]. Beyond feminine beauty, in architecture you see highly digitally rendered curvature,” he says. “Why are we thinking about beauty without edges? It stoops to consumerist needs, it’s a very accessible idea of beauty.” 更多…
2020-08-26	ARTASIAPACIFIC: THE VALUE OF LEARNING SOMETHING NEW: JOHN ZIQIANG WU
	As an artist and art educator, JOHN ZIQIANG WU finds himself at the nexus of two industries severely impacted by the pandemic. He and his wife, Yinan, co-founded and run an art-tutoring workshop in Chino, east of Los Angeles, while John continues his practice that revolves around different conceptions of art found in society. For the June Art Fair, which is being hosted online during August 20–31 by Hauser & Wirth on its website, Empty Gallery is presenting ten of Wu’s recent watercolor paintings from a 2019–20 residency at the Hammer Museum as well as the early months of the pandemic. ArtAsiaPacific caught up with Wu on the phone last week to talk about his interest in teaching art and in learning other people’s stories. 更多…
2020-08-22	TISHAN HSU IN "Sammlung" AT MMK MUSEUM, BERLIN
	Sammlung at TOWER MMK Museum für Moderne Kunst, Berlin runs August 22 through May 30, 2021, featuring works from their collection including TISHAN HSU’S Cordless (1989). “The exhibition highlights works dating from the early 1960s to the present, including some of the museum’s newest acquisitions.” Hsu’s earlier works examine how the pressures of an increasingly technological world acted on the body of the individual subject. 更多…
2020-08-20	JOHN ZIQIANG WU AT JUNE ART FAIR
	Empty Gallery is pleased to present our inaugural presentation of works by Los Angeles-based conceptual artist and educator, JOHN ZIQIANG WU at this year’s online edition of June Art Fair. The fair opens on August 20 and will be on view through to August 31, and is co-hosted by Hauser & Wirth and ArtReview Magazine. Founded as an independent project by galleries VI, VII (Oslo) and Christian Andersen, (Copenhagen), June Art Fair is an initiative led by pioneering galleries working at the forefront of contemporary art. It is a platform to promote the work of emerging artists and to encourage rediscovery of more established but under-recognized figures. 更多…
2020-08-19	DIANE SEVERIN NGUYEN IN "When Sun Comes Out" FOR BLANK FORMS
	A photograph by DIANE SEVERIN NGUYEN, Coral Offspring, is now in an online exhibition When Sun Comes Out hosted by our friends at Blank Forms NYC through September 18, 2020. The show is their “first benefit exhibition including works by over 40 artists, nearly all of whom are collaborators or friends of the organization.” 更多…