武雨濛
Cici Wu, Upon Leaving the White Dust (go go she and not come back said go and don’t come back), 2018/2025, on view at “ECHO DELAY REVERB: American Art, Francophone Thought” at Palais de Tokyo from October 22, 2025–February 15, 2026.
Ink, rice paper, bamboo wire, wheat glue, handmade glass, LED lights, electronics, bells, 16mm transferred to HD video (B&W, 19 min 40 sec), video (30 min, light data collected from the screening of unfinished film footage White Dust from Mongolia by Theresa Hak Kyung Cha, 1980)
Dimensions variable
Courtesy of the artist and 47 Canal. Photography: Aurélien Mole
Cici Wu, Upon Leaving the White Dust (2017/2018), on view at “Theresa Hak Kyung Cha: Multiple Offerings”, from January 24–April 19, 2026. Courtesy of BAMPFA, 47 Canal. Private collection.
Cici Wu: Lanterns from the Unreturned, from May 2 – September 28, 2025 and a year-long, site-specific installation, Rockbund Art Museum, Shanghai. Photography by Tao Yan.
Cici Wu: Lanterns from the Unreturned, from May 2 – September 28, 2025 and a year-long, site-specific installation, Rockbund Art Museum, Shanghai. Photography by Tao Yan.
Cici Wu: Lanterns from the Unreturned, from May 2 – September 28, 2025 and a year-long, site-specific installation, Rockbund Art Museum, Shanghai. Photography by Tao Yan.
Cici Wu: Lanterns from the Unreturned, from May 2 – September 28, 2025 and a year-long, site-specific installation, Rockbund Art Museum, Shanghai. Photography by Tao Yan.
Cici Wu: Lanterns from the Unreturned, from May 2 – September 28, 2025 and a year-long, site-specific installation, Rockbund Art Museum, Shanghai. Photography by Tao Yan.
Cici Wu: Lanterns from the Unreturned, from May 2 – September 28, 2025 and a year-long, site-specific installation, Rockbund Art Museum, Shanghai. Photography by Tao Yan.
Cici Wu: Lanterns from the Unreturned, from May 2 – September 28, 2025 and a year-long, site-specific installation, Rockbund Art Museum, Shanghai. Photography by Tao Yan.
Cici Wu: Lanterns from the Unreturned, from May 2 – September 28, 2025 and a year-long, site-specific installation, Rockbund Art Museum, Shanghai. Photography by Tao Yan.
Cici Wu, Belonging and Difference, Empty Gallery, 2023. Photo: Michael Yu
Cici Wu, Belonging and Difference, Empty Gallery, 2023. Photo: Michael Yu
Bamboo wire, paper, Raspberry Pi 4b, USB webcam, neopixel ring LED, cable, memory card
73 x 29 x 99 cm
73 x 29 x 99 cm
60.3 x 57.1 x 5.1 cm
Cici Wu, Travel Star between Ceasing and Arising, Scheusal, Berlin, 2024.
Tsaiyun (Rosy-Cloud) Bridge / Forget Each Other in the Rivers and Lakes, Cici Wu with Chan Hau Chun & Chui Chi Yin, Taro Masushio, Xiaofei Mo, Park Xun, Fai Wan, Emilia Wang. Hordaland Kunstsenter, 2023. Curated by Mathijs van Geest.
Tsaiyun (Rosy-Cloud) Bridge / Forget Each Other in the Rivers and Lakes, 2023, exhibition view, Hordaland Kunstsenter, Bergen
Unfinished Return of Yu Man Hon, 2019. Installation view, 11th Seoul Mediacity Biennale: One Escape at a Time, Seoul Museum of Art (SeMA), 2021. Curated by Yung Ma.
Cici Wu, installation view of ‘Unfinished Return’, Empty Gallery, 2019
Cici Wu, installation view of ‘Unfinished Return’, Empty Gallery, 2019
Cici Wu, installation view of ‘Lantern Strike (Strong Loneliness)’, 47 Canal, 2021
Courtesy of the artist and 47 Canal, New York
Photo: Joerg Lohse
Cici Wu, installation view of ‘Lantern Strike (Strong Loneliness)’, 47 Canal, 2021
Courtesy of the artist and 47 Canal, New York
Photo: Joerg Lohse
Cici Wu, installation view of ‘Lantern Strike (Strong Loneliness)’, 47 Canal, 2021
Courtesy of the artist and 47 Canal, New York
Photo: Joerg Lohse
武雨濛在紐約及香港生活及工作。畢業於香港城市大學,並在馬里蘭藝術學院取得了藝術碩士學位。她曾於紐約47 Canal畫廊(2021、2018)、香港Empty Gallery(2023、2019)、和協作式展覽於Hordaland Kunstsenter,挪威(2023);亦在紐約The Drawing Center (2023、2020)、波爾多 CAPC Musée d’art Contemporain de Bordeaux (2022), 及 香港 Para Site (2021、2018)等參加群展。她亦曾參與第11屆的「首爾媒體城市雙年展」及橫濱三年展Episōdo 02(2021)。