2016-12-13 . . . 2017-02-17

CINÉMA CONCRET

Takashi Makino

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*Cinéma Concret* (still), 2016

Image courtesy of the artist and Empty Gallery

Empty Gallery 這次帶來牧野貴首個滲入式擬真裝置錄像《 Cinéma Concret》，改編自其曾以傳統放映方式參與2016年鹿特丹國際影展的同名得獎實驗電影。藝術家為了配合畫廊獨特的全黑場景，將作品重組並配上由荷蘭實驗音樂人Machinefabriek全新創作的音樂。

作為將法國作曲及理論家Pierre Schaefferh具象音樂的原理轉換到視覺領域的一個嘗試，《 Cinéma Concret》從現象的本質出發，探視再現與抽象兩者間複合的關係，同時挑戰人類感官接收的限制。作品以35厘米膠卷菲林和數碼錄像作為創作的原材料，以遞進的方式把影像一層疊一層的建構起來，於是接近200層的錄像於同一時間在投映牆上展開。顯見的影像微粒，急速變換的雜影和在意識中去而復返的幕幕潛移影像，皆融入層進敲擊重聲的配樂中。作為與Schaefferh的連繫，牧野貴運用拍攝自大自然的雲，海洋，森林所得的具體影像作為原材料，建構他非再現性的電影藝術作品。就如藝術家所言：「我想超越傳統定義下的抽象，達致具體抽象」。

同時展出的還包括選自牧野貴《still in cosmos》系列中的大片幅鉑金照片，嘗試探索十九世紀全觀景概念與電影實踐歷史之間的關連。

牧野貴（1978年生，於橫濱居住及工作）

牧野貴 (Takashi Makin) 是日本一位領先的實驗電影藝術家。2001年於 Cinema Department of Nihon University College of Art 畢業後，移居倫敦並於跟隨Quay Brothers學習。他的電影作品《No is E 》在2007年Image Forum Festival 取得了寺山修司大獎；他亦是2008年鹿特丹國際電影節重點導演之一，其作品《 Elements of Nothing》更獲提名老虎獎。牧野貴曾參與超過30多個國際電影節和錄像藝術節。近期他的作品在泰特現代美術館，倫敦影展和東京國立近代美術館展出。


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