Jacqueline Kiyomi Gork

Jacqueline Kiyomi Gork’s (b.1982, Los Angeles) hybrid practice combines work in sound installation, sculpture, and performance with the aim of reconfiguring the traditional hierarchies between audience, performer, and architecture. She studied at the San Francisco Art Institute and researched the history of acoustics and computer music at Stanford University.

Her work has been the subject of solo exhibitions at the Carpenter Center for the Visual Arts, Harvard University (2024); Visual Arts Center, University of Texas Austin (2023); Empty Gallery, Hong Kong (2021, 2017); François Ghebaly (2022); 356 Mission, Los Angeles (2017); The Lab, San Francisco (2016); and Yerba Buena Center for the Arts, San Francisco (2016). She has participated in group exhibitions at Hammer Museum, Los Angeles (Made in LA 2020); SculptureCenter, New York (2019); San Francisco Museum of Modern Art (2017) and V-A-C Foundation, Moscow (2018). She is a recipient of a Joan Mitchell Fellowship (2023) and an Art + Technology Lab Grant from the Los Angeles County Museum of Art (2021). She participated in the 13^th Taipei Biennial: small world (2023). Her work is in collections of The Hammer Museum, SFMoMA, Berkeley Art Museum and Pacific Film Archives and Walker Art Center.

CURRENT:

Slipper
Personal Space, Vallejo, California
September 22 –⁠ November 24, 2024

Press:

Byron Westbrook, ‘Jacqueline Kiyomi Gork’, BOMB
‘In the Studio: Jacqueline Kiyomi Gork’, Joan Mitchell Foundation Journal
Cassie Packard, ‘Jacqueline Kiyomi Gork Dials Down The Noise‘, Frieze
William Smith, ‘An Interview with Jacqueline Kiyomi Gork‘, Small World Journal, Taipei Biennial